"The beauty of Spektral Quartet’s impassioned performance was that it served both sides of Schoenberg’s music so well. As led by the group’s superb first violinist Clara Lyon–who also wrote the perceptive program notes–the players were fully in synch with the rhapsodic lyrical flights.
Yet the musicians also conveyed the sense that the breakdown of tonality is right around the corner—in the fin de siecle decadence of the waltz fragment played by Lyon and Armbrust about ten minutes in; the buzzing high harmonics that seem to anticipate Ligeti; and the unsettled repose of the penultimate Langsame Viertel section.
Spektral Quartet gave the belated Chicago premiere of Morton Feldman’s six-hour String Quartet No. 2 last March, so Schoenberg’s unbroken three-quarter-hour work is a comparative bagatelle.
Still, this is an epic, hugely challenging score and Spektral put it across with bristling fire and conviction. The communicative playing kept the music moving forward, naturally leading one on to the next episode. The final section was joyous in its bumptious high spirits, and, with an artful deceleration, they conveyed the spare, quiet solace of the coda, beautifully played by all.
The Spektral musicians were equally eloquent advocates for Brahms’ Quartet in C minor on the first half."
Read the entire review here