A Larger, Mysterious Logic: An Interview with Composer Tonia Ko

A Larger, Mysterious Logic: An Interview with Composer Tonia Ko

This Friday, October 5th, we bring you Tonia Ko’s Plain, Air…a riveting encounter with the Lake Michigan shoreline ecology that received its world premiere just three weeks ago at the Openlands Lakeshore Preserve.

We’ve fallen head-over-heels for this string-quartet-and-electronics piece, and to this day, we’re fielding exuberant emails and text messages from concertgoers, eager to tell us about their personal reverberations following this unique experience.

Reconditioning the String Quartet: An Interview with Wadada Leo Smith

Reconditioning the String Quartet: An Interview with Wadada Leo Smith

There are certain artists with whom you dream of coming into orbit, and Wadada Leo Smith is finally in our galaxy. Clara and I went to see his trio play Constellation a while back, when the Cubs were winning at sportsball or whatever – so it was a small house – and both of us were struck by the patience and nuance with which he infused his performance. Every note felt purposeful and considered, and more importantly, honest.

Escaping the Straightjackets of the Past: A Conversation with soprano Kiera Duffy

Escaping the Straightjackets of the Past: A Conversation with soprano Kiera Duffy

When we programmed Arnold Schoenberg's String Quartet No. 2 for this season, we decided to shoot for the moon in the soprano realm. We're still a little astonished that Kiera Duffy agreed to join us, given that the bands that typically lay claim to her calendar include the Berlin Philharmonic, Metropolitan Opera, and the Lyric Opera. In addition to a profound fluency in 20th century and contemporary music, we should say that Kiera is also a most chill hang. Rehearsals have been artistically stimulating, and also gut-bustingly entertaining. Schoenberg's 2nd is a life-and-perspective-altering piece for all of us, so we thought we'd ask her to go a little deeper on the subject.

Between Two Pianos: An Interview with Maeve Feinberg

Between Two Pianos: An Interview with Maeve Feinberg

This Friday, January 27th, marks the Chicago debut of our fantastic new violinist, Maeve Feinberg, and we thought you all might like to get a glimpse behind the scenes at what she's like...and why her personality is a perfect fit for our brand of skylarking. 

 

Doyle: So...Beethoven Op. 74, Ravel Quartet, and Dai Fujikura’s first quartet. We’re not exactly easing you into your first Chicago concert, are we?

Maeve: I want a raise.

DA: So this show is all about pieces that feature pizzicato. If you were going to get a finger tattoo, what would it look like?

MF: Well, they say you should never get tattoos on your hands but I’m thinking “FUJIKURA” across my knuckles would be suitable for this concert.

A League of Extraordinary Violinists (Part IV): James Lyon

A League of Extraordinary Violinists (Part IV): James Lyon

This violinist feature needs little-to-no introduction because it's Mr. Clara's Dad! We are very fortunate to be working with the exceptional James Lyon for our Ear Taxi shows, and given his role as violin prof. at Penn State, we expect to learn a thing or fifteen from the experience. Keep reading for string technique secrets, TMZ-level dirt on Clara, and some USDA Prime dad jokes. This run with Jim is going to be an absolute hoot!

Doyle Armbrust: Hi Jim! At one point in your career, you were a member of a quartet with a rather unusual framework. Can you tell us a bit about it?

James Lyon: Yes, for seven years I played in the Harrington String Quartet out in west Texas (insert obligatory yeehaw here).  HSQ had three missions: (1) to bring the glories of the string quartet repertoire to the good people of the Texas panhandle (B) to serve as string faculty at West Texas State University (now West Texas A&M) (3) to serve as principal players in the Amarillo Symphony (D) to go where no string quartet had gone before…whoops, NASA wanted us to keep that top secret! I guess I eventually got the proverbial seven year itch and we moved to beautiful central Pennsylvania where I have taught violin and chamber music for 25 years now! (insert nature sounds and the purr of a friendly mountain lion).  It was an honor to be associated with the fine musicians of the HSQ and we have remained friends as members have gone on to play in the St. Lawrence Quartet, the Montreal Symphony, San Francisco Opera, and the like.

A League of Extraordinary Violinists (Part III): Mathias Tacke

A League of Extraordinary Violinists (Part III): Mathias Tacke

For our first concert on the upcoming Ear Taxi Festival, we've been working feverishly on brand-new commissions from George Lewis, Tomeka Reid, and Samuel Adams with none other than Mathias Tacke. Mathias has been a coach of ours since the early days of Spektral, and his years as violinist with the (hometown heroes) Vermeer Quartet and Ensemble Modern have presented us with tremendous insights into repertoire new and old. He's also generally pretty quiet...until he comes out swinging with a zinger. It's been a true pleasure to work alongside a mentor, and we certainly threw a ton of music at him for our first foray together.

 

Doyle Armbrust: Hi Mathias! As one of our coaches in the early life of the quartet, you are a violinist we are particularly excited to be working with this fall. I'm wondering what it feels like to be sitting in with a string quartet after playing for so many years with the Vermeer?

Mathias Tacke: I am actually more aware of the many years - almost nine - without having a quartet, since the Vermeer retired in 2007.  It feels great to play with you guys - I do miss that life!

A League of Extraordinary Violinists (Part II): Eliot Heaton

A League of Extraordinary Violinists (Part II): Eliot Heaton

Next up in the cadre of phenomenal violinists sitting in with us at the top of this season is Eliot Heaton, who was recently named concertmaster of Michigan Opera Theatre. Before he launches into his first concert there (Bizet's Carmen), Eliot is joining us for our appearance at Hyde Park Jazz (9/24/16), during which we'll be world-premiering Miguel Zenón's Yo Soy La Tradición. We had an absurdly good time working with Eliot this summer for our Parks District project, and can't wait to dig into Miguel's blistering tunes with him.

What better way to introduce you to this incredible talent than through a chat with Eliot himself!