It’s always an interesting exercise to look back at the previous season in the summer months. Like revisiting New Year’s resolutions, it’s a good way to do a personal barometer check and hunker down for a think about questions like “In what elements were we most successful?”, “Did we accomplish what we set out to?”, “How did our goals change along the way?”, “What were our biggest learning experiences?”, “Did we make something meaningful?” Even the busiest summer feels a little like coming up for air, and it’s easy in hindsight for a reflection on the season to resemble a string of highlights and failures. This year has certainly seen it’s fair share of both of those, but I’m ending the season feeling differently about Spektral’s work than I ever have...
We created the CLOSE ENCOUNTERS series as a way to draw you further inside the music...something beyond you sitting politely with your hands folded in your lap. We've been astounded by the response to this interactive (and...shhhhh...don't tell anyone...FUN!) concert format, and the fact that it was launched with some, at times, seriously heady music (Schoenberg), we know it's a keeper.
What a way to close the 2017/18 season! We are still riding high from the vibe at our final Close Encounters event, Paint Your Feelings!, and are eager to fill you in soon on what we have in store for you next season. First and foremost, we were taken aback by how LOCKED IN you all were while painting. We'd finish a piece, and it would be silent...with you all feverishly brushing away at your creations. I guess we could have known that our audience is made up of a bunch of secretly-talented painters.
"How many string quartets are there today that can make late Schoenberg seem like heavy metal?The Spektral Quartet wrapped its season-long survey of Arnold Schoenberg’s string quartets Sunday afternoon at the Art Institute. It’s a testament to the ensemble’s devoted local following that Fullerton Hall was quite respectably filled for a program that didn’t exactly cater to populist tastes.
A superb coda to the group’s ambitious and distinguished Schoenberg series. One looks forward to seeing what the Spektral Quartet will cook up for the 2018-19 season."
Read the entire article here
Fireworks will be arriving early this summer...
This Sunday (5/20) marks the grand finale of our season with the final event of our Schoenberg cycle: In Search of Futures Past! We want to send you into the summer months in style, so here's what we have in store for you:
There are certain artists with whom you dream of coming into orbit, and Wadada Leo Smith is finally in our galaxy. Clara and I went to see his trio play Constellation a while back, when the Cubs were winning at sportsball or whatever – so it was a small house – and both of us were struck by the patience and nuance with which he infused his performance. Every note felt purposeful and considered, and more importantly, honest.
"The first great upheaval in modern concert life occurred more than a century ago, in Vienna, with the 1908 premiere of Arnold Schoenberg’s Second String Quartet, which elicited booing, heckling and laughter.
Audiences today are much more polite, though the consequences of the score’s emancipation of dissonance still are felt in concert halls, as many listeners are yet to warm to music that Schoenberg and his disciples felt was historically necessary.
But few can warm to scores that are not being played, so the Spektral Quartet has created an important series of programs presenting all four Schoenberg quartets surrounded by some of the richest music written by others around the same time. Saturday night’s stirring concert at the University of Chicago’s Fulton Recital Hall placed the Schoenberg Second Quartet among works by Anton Webern and Bela Bartok.
There was to have been a progression from the first work Webern wrote under Schoenberg’s tutelage, the “Langsamer Satz” of 1905, to Bartok’s First Quartet, which was contemporaneous with Schoenberg’s Second (on the concert’s bottom half). But travel considerations because of snow forced some rearranging of the order of pieces, with Bartok ending the program, creating a slight letdown.
Not that the playing was anything but ardent, precise and expressive throughout. Yet many in the audience were in no mood for anything after the transcendent Schoenberg and did not return from intermission. This was an unexpected confirmation of the Schoenberg’s power. All it requires are keen and committed performers, which it got in the Spektral and soprano Kiera Duffy."
When we programmed Arnold Schoenberg's String Quartet No. 2 for this season, we decided to shoot for the moon in the soprano realm. We're still a little astonished that Kiera Duffy agreed to join us, given that the bands that typically lay claim to her calendar include the Berlin Philharmonic, Metropolitan Opera, and the Lyric Opera. In addition to a profound fluency in 20th century and contemporary music, we should say that Kiera is also a most chill hang. Rehearsals have been artistically stimulating, and also gut-bustingly entertaining. Schoenberg's 2nd is a life-and-perspective-altering piece for all of us, so we thought we'd ask her to go a little deeper on the subject.
In 2017, we – alongside our friends in Third Coast Percussion and Lincoln Trio – played live on WFMT to celebrate each group's having been nominated for a Grammy Award last year. We're pleased to share that the station has included that broadcast as one of its '10 Best Live Performances at WFMT in 2017!'