Behind the Scenes: Miguel Zenón

Behind the Scenes: Miguel Zenón

We have a brand-new record with saxophonist Miguel Zenón – Yo Soy La Tradición – dropping on September 21st, but this album release show is actually a benefit for the Puerto Rican victims of Hurricane Maria... a chance to celebrate new music and help out our fellow citizens!

With the date fast approaching, memories of our rehearsals and recording session have resurfaced. We'll delve into Miguel's experience with the fallout from the hurricane – which hit just days before we started working together – but today we'd like to share the rehearsal photos taken by our friend and supporter, Bob Watson.

CMI 2018: 'Music Made Visible' Photo Gallery

CMI 2018: 'Music Made Visible' Photo Gallery

We had an incredible time presenting our fifth annual Chamber Music Intensive in partnership with the University of Chicago Department of Music and the Reva and David Logan Center for the Arts, with support from the Associated Chamber Music Players. This year we had an absolutely lovely collection of participants, our second go-around teaching alongside pianist Daniel Pesca, and had the great good fortune of inviting violin pedagogue Lucy Chapman as our guest artist. And that's only the half of it...

(photos by interns Doyle Armbrust and Maeve Feinberg)

Finding Ourselves in Schoenberg

Finding Ourselves in Schoenberg

It’s always an interesting exercise to look back at the previous season in the summer months. Like revisiting New Year’s resolutions, it’s a good way to do a personal barometer check and hunker down for a think about questions like “In what elements were we most successful?”, “Did we accomplish what we set out to?”, “How did our goals change along the way?”, “What were our biggest learning experiences?”, “Did we make something meaningful?” Even the busiest summer feels a little like coming up for air, and it’s easy in hindsight for a reflection on the season to resemble a string of highlights and failures. This year has certainly seen it’s fair share of both of those, but I’m ending the season feeling differently about Spektral’s work than I ever have...

This Is What A Classical Concert Can Be

This Is What A Classical Concert Can Be

We created the CLOSE ENCOUNTERS series as a way to draw you further inside the music...something beyond you sitting politely with your hands folded in your lap. We've been astounded by the response to this interactive (and...shhhhh...don't tell anyone...FUN!) concert format, and the fact that it was launched with some, at times, seriously heady music (Schoenberg), we know it's a keeper.

You Painted Your Feelings!

You Painted Your Feelings!

What a way to close the 2017/18 season! We are still riding high from the vibe at our final Close Encounters event, Paint Your Feelings!and are eager to fill you in soon on what we have in store for you next season. First and foremost, we were taken aback by how LOCKED IN you all were while painting. We'd finish a piece, and it would be silent...with you all feverishly brushing away at your creations. I guess we could have known that our audience is made up of a bunch of secretly-talented painters.

Chicago Classical Review: Spektral Quartet wraps Schoenberg series with metal virtuosity

"How many string quartets are there today that can make late Schoenberg seem like heavy metal?The Spektral Quartet wrapped its season-long survey of Arnold Schoenberg’s string quartets Sunday afternoon at the Art Institute. It’s a testament to the ensemble’s devoted local following that Fullerton Hall was quite respectably filled for a program that didn’t exactly cater to populist tastes.
....
A superb coda to the group’s ambitious and distinguished Schoenberg series. One looks forward to seeing what the Spektral Quartet will cook up for the 2018-19 season."

 

Read the entire article here

 

Reconditioning the String Quartet: An Interview with Wadada Leo Smith

Reconditioning the String Quartet: An Interview with Wadada Leo Smith

There are certain artists with whom you dream of coming into orbit, and Wadada Leo Smith is finally in our galaxy. Clara and I went to see his trio play Constellation a while back, when the Cubs were winning at sportsball or whatever – so it was a small house – and both of us were struck by the patience and nuance with which he infused his performance. Every note felt purposeful and considered, and more importantly, honest.

Chicago Tribune: Spektral Quartet confirms Schoenberg's power in stirring concert

(photo credit: Erin Hooley for Chicago Tribune)

(photo credit: Erin Hooley for Chicago Tribune)

"The first great upheaval in modern concert life occurred more than a century ago, in Vienna, with the 1908 premiere of Arnold Schoenberg’s Second String Quartet, which elicited booing, heckling and laughter.
Audiences today are much more polite, though the consequences of the score’s emancipation of dissonance still are felt in concert halls, as many listeners are yet to warm to music that Schoenberg and his disciples felt was historically necessary.
But few can warm to scores that are not being played, so the Spektral Quartet has created an important series of programs presenting all four Schoenberg quartets surrounded by some of the richest music written by others around the same time. Saturday night’s stirring concert at the University of Chicago’s Fulton Recital Hall placed the Schoenberg Second Quartet among works by Anton Webern and Bela Bartok.
There was to have been a progression from the first work Webern wrote under Schoenberg’s tutelage, the “Langsamer Satz” of 1905, to Bartok’s First Quartet, which was contemporaneous with Schoenberg’s Second (on the concert’s bottom half). But travel considerations because of snow forced some rearranging of the order of pieces, with Bartok ending the program, creating a slight letdown.
Not that the playing was anything but ardent, precise and expressive throughout. Yet many in the audience were in no mood for anything after the transcendent Schoenberg and did not return from intermission. This was an unexpected confirmation of the Schoenberg’s power. All it requires are keen and committed performers, which it got in the Spektral and soprano Kiera Duffy."

Read the entire review here