David Fulmer – New Commission
Elliott Carter – Fragments 1 & 2
Arnold Schoenberg – String Quartet No. 4
“What interested me in Schoenberg, especially in the earlier works, in Erwartung and others was the idea [that] you could make music that had the rhythm of prose.”
That Schoenberg is still considered “contemporary music” in many classical music circles is a testament to the enormity of his break with tradition. Despite the fact that over 80 years separate us from the composer’s final string quartet, the scope of his influence is felt in no small measure to this day. We have a brand-new piece from Guggenheim fellow David Fulmer on this final concert of the series, as well as two of Elliott Carter’s most tender quartet morsels. As Schoenberg continues to be a provocateur in our era, this program is not so much a conclusion as a motivation forward, to continue reaching for what is new, what is unexpected, and what is just beyond our grasp.
Join us for a post-concert dialogue with Northwestern's Bienen School of Music musicology professor Jesse Rosenberg and a curator from the Art Institute of Chicago.
A LITTLE MORE ABOUT DAVID FULMER
Winner of the 2016 Guggenheim Fellowship, and 2016 Koussevitzky Award, David Fulmer has garnered numerous international accolades for his bold compositional aesthetic combined with his thrilling performances. A leader in his generation of composer-performers, the success of his Violin Concerto at Lincoln Center in 2010 earned international attention and resulted in immediate engagement to perform the work with major orchestras and at festivals in the United Kingdom, Europe, North America, and Australia. Fulmer made his European debut performing and recording his concerto with the BBC Scottish Symphony Orchestra under the direction of Matthias Pintscher in 2011. That same year, Fulmer made his debut at Tanglewood appearing with the work. A surge of recent and upcoming commissions include new works for the New York Philharmonic, Ensemble Intercontemporain, Scharoun Ensemble of the Berlin Philharmonic, Deutsche Kammerphilharmonie Bremen, ProMusica Chamber Orchestra, Carnegie Hall, Alte Oper Frankfurt, Salzburg Foundation, BMI Foundation, Concert Artists Guild, Washington Performing Arts, Kennedy Center, Fromm Music Foundation, Koussevitzky Foundation, and Tanglewood.
As conductor, Fulmer recently led the NFM Wroclaw Philharmonic Orchestra, Adelaide Symphony Orchestra, International Contemporary Ensemble (ICE), Elision Ensemble, Sydney Modern Music Ensemble, along with appearances at the New York Philharmonic Biennial, Tanglewood Music Festival, and Lucerne Festival. This season's highlights include important debuts leading the Ensemble Intercontemporain, Asko Ensemble, South Netherlands Philharmonic, and assisting concerts and projects with the New York Philharmonic. Fulmer will return to the NFM Wroclaw Philharmonic Orchestra later this season, curate the Mannes American Composers Ensemble in programs of 20th and 21st Century music, and continue his close collaboration with the International Contemporary Ensemble. He made his debut appearance in 2014 on the Los Angeles Philharmonic’s Green Umbrella series at Walt Disney Concert Hall. During the summer seasons, Fulmer has led concerts at the Chamber Music Northwest Festival, and Lincoln Center’s Mostly Mozart Festival.
Fulmer was recently the recipient of both the Charles Ives Fellowship from the American Academy of Arts and Letters, and the Carlos Surinach Commissioning Award from BMI. He is the first American recipient of the Grand Prize of the International Edvard Grieg Competition for Composers. He has also received the ASCAP Morton Gould Young Composer Award, the BMI Composer Award, the Charles Ives Scholarship from the American Academy of Arts and Letters, a special citation from the Minister of Education of Brazil, the Hannah Komanoff Scholarship in Composition from The Juilliard School, and the highly coveted George Whitefield Chadwick Gold Medal from the New England Conservatory. Fulmer appears regularly and records often with the premiere new music ensembles in New York, including the International Contemporary Ensemble, Talea Ensemble, Argento New Music Project, Speculum Musicae, the Group for Contemporary Music, and the New York New Music Ensemble. His work has been recorded by the Ensemble Intercontemporain. He has appeared recently on the Great Performers Series at Lincoln Center, The Chamber Music Society of Lincoln Center, and Live from Lincoln Center broadcasts. He graduated from The Juilliard School.