“She’s empathically supported by the lustrous strings of Spektral Quartet—sometimes solemn, sometimes playful—and several pieces meticulously deploy electronic beats and her own serene flute lines. For “Suite pou Dantan” she built the pieces around a children’s church choir she recorded in Dantan, underlining how Haitians adapted Catholic liturgy into tribal religions from West Africa. Her singing has a measured, crystalline soulfulness to it, and throughout this spectacular record she effortlessly blends the past and present, the rustic and sophisticated.”
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